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Friday, November 2, 2007
  Appreciating The Beauty Of Classic Automobiles

I grew up in the muscle car era of the 1960's and early 1970's, where there was enough time to still influence me before the gas crisis of $1 per gallon gas. These teen years left a lasting impression from that point on where a car must have big V8, loud rumbling exhaust, and big tires, otherwise it did not get a second glance. It was the power hungry performance cars from Detroit's Big Three. The Mustang, the Camaro, the Firebird as well as the Chevelles, and Chargers to just name a few that you could hear coming a mile before they arrived. They got my attention! Over the years as I've traveled around to car shows my appreciation for the automobile expanded. The common thread that intrigued me about all of the car owners was, the pride they took in their vehicle, but what was I missing? Many of these cars did not meet my criteria of a big V8, loud rumbling exhaust, and big tires, so what's the big deal? The intent of this article is to open your mind and recognize the elegance, grace, and styling of cars before you were born, to the present.

It seems that many automotive enthusiasts have at one time encountered a similar dilemma. There are the Mustang specific clubs, the Ford Model A clubs, even the Orange Colored Car club. Everyone has they primary interests, but if you look beyond this, you can see the elegance, style, and beauty that was finely crafted by the automotive artists. Imagine looking through the viewfinder on a camera as you focus on composing the perfect image. With your naked eye, many of the details may not initially jump out. However, when you see the image as the camera does, you notice the shadows, the lighting, and the elements of the vehicle that appear to be magnified and stand out. This focusing forces you to not only look complete vehicle, but down to the individual details that make it up. These details are the core elements of that the artist creates. Like each stroke of the brush, each curve in the chrome makes up the masterpiece.

You do not have to look far to see what I am talking about. Look at a 1958 Chevrolet Belair with its massive grille, large amounts of chrome and the intricacy of the trim accent pieces all flowing together like a sculpture. Unless you pay attention to even the most minuet areas you will not see the entire masterpiece. A person once told me that when he didn't win people choice awards, his wife would say, "Did A Red Car Win?" This statement has some truth. I have seen that if there were two almost identical cars, the red or brightly colored one usually faired better even if it was not in as good of condition. The point I am trying to make is first impression is exactly that, first impression. Whereas, a seasoned judge, goes to the next level looking at the quality of the paint, and in concours judging down to the finish on the bolts. Within this spectrum is where the real artistic nature is.

I recently did some photography and show board work on a 1957 Ford Fairlane 500 that I initially seen at a local car show. When I first seen this car what stood out was its massive size, and the glistening shine of the perfect black paint. This was my first impression as it caught my attention. After talking with the owner, Joe, and learning more about his car, the real beauty of this classic vehicle was evident. You could almost see the air flowing along the sleek and graceful body lines as the 30 spokes of each wheel reflected like mirrors. It was obvious that he was focused on a perfect display, ensuring that there was a blinding shine on the chrome and paint, and every component, even the underside was perfect. One could only imagine the many hours and years spent getting to this level of perfection.

The next time you see one of these classics driving down the road, or at a car show try to vision what the automobile artists has in mind. To get a jump start on seeing these classics there is a nice selection of pictures showing exactly what I have talked about at www.PalmieriConcepts.com. The information and pictures on this site will give you many examples of these classics as well as alternative ways of composing your pictures into works of art. Palmieri Concepts focuses on transforming your everyday pictures into custom art, and as a result, attention to detail is key.

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  How To Reach An Audience

To Reach an audience, you have to know how to choose the right target audience, the right medium, and the right message. You cant communicate with everyone in the world. Great communicators know how to direct their messages toward an audience they can realistically expect to reach, whether that audience is a roomful of people or a single employee.

Here are five questions that will help you find the right audience:

1. What do you want to do? Be specific about what you want to accomplish. If you have a fuzzy message or unclear goals, you wont have a logical audience to target.

2. Who can help you get it done? Communicate with the audience that can help you do what you want to do. If you need your television fixed, dont bother telling the entire neighborhood. The only audience you should be communicating with is the person who sold you the television.

3. Who would want to help you do it? People do things for their reasons, not yours. Look for an audience that has a strong reason to help you.

4. Why would an audience listen to you? The information age constantly bombards people with messages. Why should they listen to yours? Reasons include your position of authority, your knowledge of the topic, or your eloquence.

5. How accessible is this audience? If you run a convenience store, an ad in a large metropolitan daily newspaper is not going to do you much good: Most of the audience is out of your reach. However, if the paper has the regional edition for your area, an advertisement in that edition would reach an accessible audience.

After youve narrowed down your choice of audience through these five questions. Now you have to evaluate your choices to find the ideal audience. Your ideal audience should have the power or authority to do what you want it to do. For example, if you want a raise, you need to talk to the person who has the authority to give it to you.

You need to choose the right medium to convey your message. Each medium has its strengths and weaknesses. Use the medium whose strengths match the requirements of your message. For example, if your message relies on visual impact, dont try to convey it by radio. If your message is complex, dont try short audiovisual advertisement spots. It would be better to convey it through the print media.

Perhaps the best way to convey your particular message is through public speaking. For example, if youre a developer and you are looking for public support to build a shopping mall, a public presentation would be more effective than a newspaper advertisement with pretty pictures of the mall.

Whatever medium you decide to use, take your time in deciding how you will use it. Make your presentation attractive. For example, if youre speaking publicly, dont show up in old wrinkled clothes and uncombed hair. Dont send out a brochure with a hard-to-read type jammed tightly onto pages of cheap paper, or make a DVD with shaky images in a dull setting.

Timing and the length of your presentation are critical to your success. For example, if youre selling Christmas cards, dont send out your catalog on December 10th. If youre presentation is too long, youll lose your audience, whether your presentation is a three-hour speech or a twenty-five page brochure.

Once you have a target audience in mind and have selected the right medium, the next step is to present your message in the most appealing and effective way. The first thing you must do, is choose your subject carefully. The right subject will be one that addresses the needs and wants of the audience. If you can identify those needs and wants and convince the audience that what you propose will satisfy them, you will get the response you want.

For example, if you want to motivate your sales force, you might want to talk to them about making money and beating the competition, two very powerful motivating topics for salespeople.

The more you know about the subject, the better your presentation will be. Always stick to the subjects you know well and be prepared to back up your statements with carefully researched data.

The best way to do your research for a presentation is to cast a broad net, collecting all the statistics, examples, and other data you can get your hands on. Then narrow down the information and use the materials that will support your unique selling proposition or USP. This is the core proposal that convinces the audience to do what you want them to do.

Whether youre trying to make a sale, inspire greater productivity, or propose marriage always look for the unique selling proposition, and use the materials that back up your unique selling proposition the best.

You can have the right audience, the right medium, and compelling facts, but if your message is not organized correctly it will fall flat. Your message needs to have three main parts:

1. An introduction. An introduction is the main attention getter. You will never be able to communicate if you cannot grab your audiences attention. The introduction should lead into the main body of the talk.

2. The main body. The main body of communication presents the most compelling point. The most effective way to do this is to subcategorize the main body into three parts, one part presenting your compelling point, and the other two parts setting it up or explaining it.

3. The conclusion. A good conclusion reinforces what you have said. Summarize the main points briefly, distilling your message into three or four short, memorable sentences. Your conclusion should invite the audience the act. Your message isnt complete until youve told people precisely and persuasively what you want them to do.

Finally, a conclusion should inspire your audience. It is always effective to end with a challenging question, a glowing promise, or a strong statement of your most compelling point.

The purpose of communication is to make things happen. If nothing happens as a result of your speech, letter, or presentation, then you have failed. You should judge the success of your message by looking at both the short-term and long-term results.

In a short-term success, the audience enjoys the presentation and understands the point you are making. A long-term success moves the audience to take the action you want them to take.

Technology helps us communicate messages faster and to a larger audience than every before. But technology does not create the message. Communication is still a human activity, having to do with meanings, understandings, feelings, needs, and ideas.

Copyright2006 by Joe Love and JLM & Associates, Inc. All rights reserved worldwide.

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